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a new approach to ear training
bridge (paris 1870)
outside inside
untitled (reflections)


patterns that would travel
contours and lines    
quiet, taking place
each a step closer


10 fans
40 vacuums
mapping a plastic number
as found and returned


cards
riverbed
specific action
on the arc of travels



other pieces
gerhard schultz



—3 to 9 performers

without revealing to someone else their choice, performers select and perform a part from another score which depends on feedback throughout the performance, either from the environment or from other performers, where specific conditions might be met, not simply intuitive or musical ones.



                                                                                                                            june 2010, berlin